![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiItY0Wj7Wa70qsQhaq5np5d6-diLdPBSBb1Rr3ig4L456jUKqzk5TYCvY4oeBtRNXfUqMCvBX_zqr50UPElnOKC3AN6eRkRbRiVhhrRPLpqZT4-tsp1SBAONRkUrgrP7ffjWkNp5LaOIg/s320/maqry+sleigh1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIgW8cDn1d4v1PMdsUO2dRb0HbknaEX80BQrh2juqOwlfi3SkU-GAhTitxn-xyXE4fK-9GcoNnMuj6PpHI-f82ApQ8TGTAJcqKLN_adFLOBhen9lYwF36d2kaucm_E8tpxJPhXzyT0dgg/s1600/mary+sleigh3.jpg)
The raffia cloth samples were strip woven. As raffia is taken from palm leaves, the length of the fibres is determined by the length of the leaf, therefore, the warp and weft will always be quite short, therefore a large raffia cloth will always be sewn together in sections. The patterns used are very similar to the strip patchwork patterns developed in this chapter.
Some strips were stitched as a resist (as in shibori) and then dyed with indigo. Others were black, tan or natural. Again, very similar to the colours used in this chapter.
Images taken from Mary Sleigh's book, 'African Inspirations In Embroidery'
Lovely - I remember you saying you were going to join Wolverhampton. All the best
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